• Red Queen by Juan Gomez-Jurado ** (of 4)

    Antonia Scott is a genius at penetrating the minds of dastardly criminals. She is also a morbid recluse with no sense of smell (is this important for us to know?), gorgeous, and without social skills. John Guiterrez is assigned to be her partner by an unseen handler called MENTOR. John is overweight, or just strong, gay, a good guy, without a partner, and disgraced by the police department for a dubious infraction. And the criminals they pursue are unspeakably heinous.

    Which is to say the book (apparently well-loved around the world) is tolerable if it is read as a comic book without pictures. Antonia Scott is the smartest person in all of Europe. Mentor works for a shadowy European consortium of crime-fighters who operate outside of and above the law. Criminals slink through shadowy underground tunnels. Confrontations appear in word-panels that burst with gore and the equivalent of starburst “POWS” and “OOFS.” For the full (not so pleasant experience) listen to the audiobook. The reader has only two distinct voices: angry and angrier.

  • The End of October by Lawrence Wright *** (of 4)

    The End of October is shocking because of its initial accuracy and publication date. Coming into print just before the pandemic, Wright’s novel describes a global pandemic caused by a rapidly evolving corona virus that results in the deaths of millions worldwide. Which means that all of the indicators necessary to predict exactly how such a pandemic would play out were fully available to anyone willing to do the research and with a desire to write what should have been science fiction.

    The scenarios that Wright must have investigated, and which he included in his novel, included military conflicts that erupted as Shia muslims blamed Shiite countries for releasing an incurable disease leading to military strikes between Iran and Saudi Arabia. Simultaneously, Americans and Russians, who have maintained, or deny maintaining, biowarfare units accused one another of releasing deadly diseases and managing Putin’s ruthlessness and unpredictability weighed heavily on the American administration. As the disease spreads without any means of redressing it, aggrieved countries retaliate with conventional weapons for perceived attacks with bio-weapons.

    Reading the book with all of the hindsight of the pandemic is eerie. The wars that erupt in Wright’s book feel unbelievable, but only because they did not happen. The fact that nearly everything else Wright prognosticated did occur suggests that when millions of people die, societies and governments can collapse under the loss of leadership or the designs of Machiavellian politicians. About halfway through the book the intensifying plot overtakes the exceptionally well-done and finely presented research turning the book into something of a slog. But then again, surviving Covid was also a slog.

  • American Gods by Neil Gaiman *** (of 4)

    Neil Gaiman, a British author, has written an Icelandic saga about American gods. Equal parts fantasy, history, sociology, and Americana, Gaiman’s protagonist, and our guide to the gods, is called Shadow. Shadow is only recently released from prison, and about to embark on a roadtrip of epic dimensions. Sometimes traveling by Buick and sometimes upon the back of a flying Thunderbird (an eagle-like deity) through a violent thunderstorm, Shadow finds himself betwixt the old gods of North America and the new ones. The old gods were brought to North America by natives crossing the Bering Straits in the last Ice Age, by Vikings, by Irish immigrants and others arriving on the great continent.

    The new gods are threatening to displace the old ones, who are being forgotten with increasing rapidity. The new gods came to the country on televisions, computers, and the internet, and they take as much devotion and as many offerings as their predecessors. As is true with all sagas, there are twists, hairpins, treachery, violence, and love. Gaiman, though he apologizes for his presumptuousness, is just the man to write about Americana. He can see us as we appear in our roadside attractions as only an outsider can.