• The Pigeon Tunnel by John LeCarre *** (of 4)

    Nearing the end of a long and terrifically prodigious career as a writer, Le Carre assembled here the true events that undergird his novels. He revels in his encounters with world leaders and events of the 20th century. He meets Yasser Arafat amidst heavily armed bodyguards, dines with Soviet exile Andrei Sakharov, skis with the actor Alec Guinness, takes a field trip to meet African warlords, hob knobs with KGB intelligence officials, tours the killing fields of Cambodia, interviews jailed terrorists, kvetches at length about his low-life father, and generally downplays his early days as a spy for British intelligence as being insignificant.

    Every one of his stories is compelling, and quite often humorous, for their air of authenticity and authority. Each vignette is assembled with the care and precision of a master novelist. Yet, because Le Carre has passed his entire life as a fabulist — first as a spy and then as a novelist — lingering above each tale is a question of whether every event is reconstructed with full honesty. Near the end of the book, Le Carre hints that he is not a totally trustworthy storyteller, and a posthumously published biography claims that Le Carre used his skills as a liar and deceiver to philander with multiple mistresses. But, you know what? It doesn’t matter: The Pigeon Tunnel is a great read. The audiobook is read by the author, who is a master of impersonations, bringing his counterparts to life as he meets them one by one.

  • Homegrown by Jeffrey Toobin ** (of 4)

    Toobin can be a captivating writer; he is one of the greats at uncovering the backstories of a variety of criminals and noteworthy trials: OJ Simpson, Patty Hearst, Donald Trump, the Gore vs. Bush election, Bill Clinton, and the make-up of the Supreme Court.

    Which is why it is surprising that he missed the mark with this book. No question that Timothy McVeigh was one of America’s most successful and by Toobin’s accounting, one of its first domestic terrorists. On April 19, 1995 he drove a truck bomb to the front of the Alfred P. Murrah Federal Building in Oklahoma City and blew it up, killing 168 people including 19 children in the building’s daycare facility.

    He was motivated by rightwing radio hosts like Rush Limbaugh and the conspiracy theories that circulated amongst politicians. Shock jocks and their supporters pedaled lies about government overreach and suggested in rather stark terms that only patriots and other defenders of the second amendment could save the nation. Toobin draws a direct and clear line from McVeigh to the treasonous revolutionaries that stormed the Capitol on January 6, 2021. Men and women who attacked the Capitol were also spurred forward by a new generation of right-wing conspiracists and a new generation of communication, social media, but recycled the same dogmas that led to McVeigh.

    It is an important arrow pointing at how dangerously thin the line is between election deniers, second amendment fanatics, Newtown skeptics (Alex Jones acolytes) and their proclivity toward violence.

    But Toobin makes two mistakes. The first is subtle. He implies that McVeigh was the first right-winger of his ilk, overlooking McCarthyism, Silver Shirts, American Nazis, the KKK, and White Supremacists some of whom have been around since colonists considered Native Americans subhumans. The line leading to January 6 is twisty, but continuous, and a lot longer than Toobin is willing to admit. In a single toss away line he points to the Tulsa Race massacre of 1921 as having killed as many as died in Oklahoma.

    The first half of the book is a thorough biography of Timothy McVeigh from birth to bombing with thorough detailing of the years, months, days, and minutes leading up to the bombing. Then, because he cannot resist describing courtroom proceedings, Toobin repeats everything we have already learned as it was presented by prosecuting and defending attorneys. One recounting, or half the book, would have been enough.

  • How to Make a Slave by Jerald Walker **** (of 4)

    Jerald Walker is a Black professor at a prestigious Boston college. He lives in an overwhelmingly upscale Boston-adjacent community, and on the surface would appear to have put considerable distance between his childhood days in the ghettos of Chicago and the present day. Yet, as he chronicles his daily experience as the one person who can be identified from a distance as “other” in an otherwise liberal setting, not all is well.

    Walker’s essays are short, often funny, and almost always leave you with an underlying feeling of anxiety. When Walker’s child is accused of being “stinky” in elementary school, Walker wonders if the accusation borne of home-taught racism, and does he already need to explain to his son what he is about to experience, or just a schoolyard taunt? When Walker shops at his neighborhood Whole Foods, white women instinctively seal up their purses, pull them from their shopping carts, and draw them close to their bodies. When his child suffers a seizure, and then another, and he sits in a panic in the ER for an eternity, while others appear to be treated with greater speed, is it because his is the only Black family waiting, because by rules of triage, there really isn’t much to worry about?

    This book was nominated for the National Book Award for good reason. The author makes us tighten up our shoulders with every page and we have to recognize that the fear he has engendered in us, accompanies him all the time.

  • The Art Thief by Michael Finkel **** (of 4)

    The book opens by letting readers know that Stephane Breitwieser is probably the most successful art thief that has ever lived. He has been captured and some of his stolen art recovered. Because we know what has been done and who did it at the very beginning, subtler questions become the subject of the book. The first question of how he accomplished art thefts across Europe on three of every four weekends for years on end. Second is why? Breitwieser never sold anything he stole. He simply stored it in his one room flat and adored it. Art, he said, brought him unfathomable joy. Evidently, so did theft.

    But even subtler questions are on offer as this tight little book moves along. How is the value of art determined? If Breitwieser’s collection was worth upward of $2 billion, according to whom? If a private collector buys a rare masterpiece and hides it from the public in his bedroom is that so different from Breitwieser’s crimes? Most vexing of all is the definition of stolen art. Were Breitwieser’s thefts any more criminal than the British Museum’s acquisition of the Elgin Marbles or rare objects taken from Egypt’s tombs? Are millionaire collectors who fail to complete thorough investigations of an object’s provenance purchased from a dealer who might not have asked all the right questions any less culpable?

  • Grandma Gatewood’s Walk *** (of 4)

    In 1955, when the Appalachian Trail (AT) was still in its infancy, Emma Gatewood walked its full length, 2050 miles from Mount Oglethorpe, Georgia to Mount Kathadin, Maine. She was 67 years old, a great grandmother, and did it solo. Her 11 adult children only found out after she was gone for several weeks and had already walked 800 miles.

    What is most striking about her walk is not her age nor intrepidity, though her courage and fortitude were boundless, but rather how simple she made it all seem. She sewed her own knapsack and filled it with less than 20 pounds of stuff. She hiked in sneakers and dungarees and slept on the ground on piles of leaves when she couldn’t find a lean-to. Almost without exception, whenever she appeared on someone’s doorstep, strangers welcomed her and fed her. Everything about her hike seemed matter-of-fact, because that was Gatewood’s attitude: put one foot in front of the other, a useful philosophy for living.

    It is hard to believe there was a time in America when hikers did not bear high-tech equipment or post selfies from every peak. It is just as hard to remember a time when a bedraggled stranger could arrive at someone’s door and expect to be offered a meal, a shower, and a bed.

  • Taste: My Life Through Food *** (of 4)

    Beginning with his childhood in the 1960s suburbs of New York City and continuing through the pandemic, Tucci traces his own growth as an eater, cook, actor, and professional name-dropper. His mother, obviously an exceptional Italian cook, introduced him to the joy of eating and the power of a home cooked meal to bring people together. His book covers the same decades that Americans discovered food-ism, initiated by black & white transmissions of Julia Childs, an early influencer on the young Stanley.

    Tucci’s recounting of family conversations before, during, and after meals feels universal, and are hysterical. Take your time to savor the interaction of Tucci’s adult sister and their mother, now a grandmother, as each, tries their hardest to offer food as a proxy for love to the other. Mother and daughter are confronted by the other’s obstinate refusals to accept, even so much as a small package of cheese. “Why, should I take this?” they each retort at some point during a prolonged and testy conversation. “I have plenty of food of my own, already at home.”

    Tucci’s descriptions of his favorite foods made me want to convert to Italian on the spot, and for a while, pushed me toward becoming an unapologetic carnivore. Until, that is, his description of slaughtering and roasting a suckling pig persuaded me to stick to cannellini beans as my primary source of protein.

  • A Fever in the Heartland by Timothy Egan **** (of 4)

    Following more than 100,000 American casualties in WWI and the death of 450,000 Americans from viral influenza in 1918, most Americans roared into the 1920s with abandon. They drank, they danced to America’s indigenous musical invention – Black jazz, they smooched in the back seats of cars and in public. The backlash from Christian Nationalists was swift, brutal, and shockingly widespread across the heartland.

    By the early 20s, Indiana alone boasted more than 400,000 Klansmen, Klanswomen, and KlansKiddies. Colorado, Texas, Pennsylvania added hundreds of thousands more. The Klan grew in status and popularity under the spell of D.C. Stephenson: a fabulist with no allegiance to truth, an abuser of women, an orator who reflected the fears and desires of white Americans concerned for the purity of “their” nation, a money-hungry businessman anxious to make the next deal, a strong desire to become America’s dictator, a virulent anti-woke activist who said clearly and repeatedly that America was threatened by Jews, Catholics, foreigners, and especially Blacks, and a politician who dominated and controlled other politicians. Ultimately, Stephenson said aloud, and believed completely, that he was above the law.

    Timothy Egan never mentions any contemporary politicians with similar proclivities, but makes clear that Stephenson was as much a man of his time and place as he was a leader of it. In response to Reconstruction, the Klan and Jim Crow were born. In the 1920s, the Klan rose again. In the 1940s, as Ultra makes clear, American Nazis were more prevalent in society and in Congress than most of us realize. For those who care about the rights of racial, ethnic, sexual minorities, and others deemed unacceptable, Timothy Egan’s well-told history is a reminder that vigilance remains a necessity in America.

  • Ducks by Kate Beaton *** (of 4)

    Newly graduated from college with artistic talent, a liberal arts degree, and a mountain of college loans, 21-year-old Kate Beaton departs her economically depressed home in the Canadian maritimes in search of work and income to pay down her debts. Like many other Canadians, she emigrates to the land of big salaries, the oil sands of Alberta.

    Ducks is a coming of age story endured by many college graduates who combine wanderlust, a can-do attitude, and the immortality of being young. Not unsurprisingly she faces isolation, loneliness, and the exhaustion of trying to adapt while working as hard as she can in a new land far from home.

    But Kate is also immersed in a sea of roughnecked men in a frozen, dark wasteland bearing little semblance to a balanced society. The level of sexual aggressiveness and mistreatment directed at the few female employees is appallingly high and carefully rendered in cartoon characterizations, generally six panels per page for more than 400 pages. While the book’s title might refer to a band of migratory ducks poisoned in a waste-tailings pond, it probably also refers to the author’s position as a “sitting duck” hunted by predatory miners far from their own families, hope, or the restrictions of normal civilization.

    Separating men from women, implies the author, in mining camps, college dormitories, the army, or by religious restriction is likely to lead to sexual degradation of women, LGBTQ+, and anyone with perceived or conceived weakness.

  • Homeland Elegies by Ayad Akhtar **** (of 4)

    The title says the book is a novel, but the voice is the author’s and the story is about his life. News events, timelines, and characters are real and it is impossible to discern when fact is being replaced by fiction which makes the story only that much more intriguing. Akhtar’s elegies, generally defined as serious poetic odes to the dead are largely long form, stand alone descriptions of his life in America: the American born, Muslim son of Pakistani immigrants.

    His father loves America, his mother not as much. The laments are for the losses of home back in Pakistan as seen through rose colored glasses of hindsight; for the breakdown of a relationship between father and son; a father’s loss of his bearings as a doctor in the United States; a mother’s loss of health offset by his parents pride and befuddlement at a son who succeeds in America as a Pulitzer Prize winning playwright. Akhtar’s plays have won Pulitzers and his ability to write a scene and fill it with authentic dialog feels so realistic it is hard to imagine it was conceived by an author and not simply filmed on the spot.

    Running the full length of the book are the tribulations of being Muslim in a country in the throes of deep anti-Muslim sentiment. Akhtar’s recounting of his experience in Manhattan on 9/11, what he endures upon being pulled over by a state trooper near Wilkes Barre, PA, or how Trump gave voice to anti-Muslim attackers are horrifying.

    His conclusion about America is subtle and surprising. While he makes a decent case that our country was founded by Christians for Christians, he makes a stronger case that our true object of worship is money and that the drive to acquire monetary status at the personal, political, and corporate levels of society are insatiable and insidious.

  • Rogues by Patrick Radden Keefe ** (of 4)

    Keefe is the author of a couple of other books I thought were terrific (Empire of Pain, Say Nothing), but not this one. A staff writer for the New Yorker, Rogues is a collection of his previously published, long form essays bound together. Chapter after chapter we meet bad guys – white-collar crooks, narcos, fraudsters, arms merchants, and so on. Taken alone, each malcontent is pretty interesting, but Keefe starts each story letting you know at the outset what terrible deeds have been perpetrated. That doesn’t leave a lot of mystery while you plow through scores of pages to learn more, and more, about the same detail you were made aware of in the opening paragraphs. By the time you’ve read five or six of these stories, each one of which running out of steam about three-fourths through, you might wonder to yourself how many more bad guys you need to need to meet at one time.