• Properties of Thirst by Marianne Wiggins *** (of 4)

    An ambitious book that centers the Owen’s Valley in California, the valley’s desertification following rerouting all of the valley’s water to Los Angeles, and the placement of the Japanese internment camp, Manzanar, in the midst of the dusty, isolated desert. A lone holdout rancher, Rocky Rhodes, refuses to cooperate with the water boys from LA. He is joined by his twin sister, Casswell, his wife (who is already dead by the time the book opens), and his two children: Sunny and Stryker. (Get it: Rocky Roads, Sunny Roads?). The Rhodes’s come from old waspy money back east.

    Schiff, a nebish of a Jew, with a big conscience, from Chicago is charged with building a camp — really a ghetto — for 10,000 American citizens forced to abandon their jobs and homes with nothing more than what they are wearing and could carry in their hands. Sunny and Schiff have eyes for one another, Sunny is an indomitable chef in the middle of nowhere, Nature (with a capital N) in the desert and in the nearby Sierras is a character in its own right, and Japanese prisoners of war stagger through the indignities of living behind barbed wire.

    Wiggins is a master story teller and a wizard with words, but may have taken on too many themes to do sufficient justice to all of them in one book.

  • Deep South by Paul Theroux **** (of 4)

    This is Paul Theroux’s only travel book wherein the act of traveling is intentionally easy. Unlike his other books – taking the railroad across Siberia, traveling from Cairo to Cape Town by public transport – in this one, he heads from his home in New England to the Black Belt of the southern U.S. in his personal car. He returns several times, responding to the siren, “Y’all come back, now.”

    The driving is easy but the landscape is just as poor, but less tended to by national and international aid organizations, as anyplace he has seen in Africa, and Theroux has spent years in rural Africa. What emerges from a book written in the early 2000-teens is that Black people in the southern United States continue to face economic segregation that is so severe as to leave families living in tar paper shacks, on degraded farmland, facing an inability to get loans or federal assistance more than a century after Reconstruction.

    Making the book even more unique is Theroux’s discourse on other travel writers and especially to famous southern writers, most notably William Faulkner. It’s like taking a roadtrip with a particularly informative English professor, albeit a driver who keeps asking how it is possible that former President Clinton’s multi-billion dollar foundation (and others like it) can provide aid to villages in Africa, but won’t pay attention to desperate hollers in his Arkansas backyard or impoverished cotton farmers with leaking roofs in Mississippi.

  • Robert E. Lee and Me by Ty Seidule *** (of 4)

    The author, Ty Seidule, is a professor of history at West Point. That gives him real cache when he says the southern states lost the Civil War but won the battle for the narrative that followed. The South, he argues, maintains a perception that the war was over “states rights,” that the north won only because of overwhelming financial resources and personnel (the north also used unfair tactics, they claim), and that the really brave and heroic military commanders were southerners, most notably, Robert E. Lee.

    Seidule was raised in the south and growing up wanted nothing more than to become an upstanding southern Christian gentleman in the mold of Lee. Gentelmanliness was another myth of the Lost Cause, that southern life before the Civil War was best depicted in Gone With the Wind: iced tea sipped quaintly on the wide porches of antebellum plantations by women in wide skirts attended by chivalrous men.

    As Seidule makes clear in his introduction, the more research he has done, the more shocked he is by the effectiveness of southern propaganda. Plantations are nothing more than enslaved labor work camps. The Civil War followed a free and fair election that displeased the south so much, they started an insurrection and fought a bloody war against the United States Army. From that perspective, no southerner deserves a statue or recognition of any kind, and yet as he digs into the records, he sees that enslaved girls and women were subjected to sexual violence at will by southern gentlemen, and for decades, onto today, black men and women face an unfair electoral and judicial system of terrifying efficiency.

    His point is made early enough in the book that reading the whole thing may not be necessary. Worse still, at the very opening, he admits that southerners wedded to Lost Cause mythology have rarely if ever been persuaded to change their perceptions when presented with facts.

  • Only to Sleep by Lawrence Osborne **** (of 4)

    In 1939, Raymond Chandler wroteThe Big Sleep featuring, Private Investigator Philip Marlowe. Marlowe was the original world weary, cynical PI: hard drinking, self-mocking, and a womanizer. He wore a fedora and could only have existed on a black and white screen played by Humphrey Bogart. In Only to Sleep, it is now 1988 and Marlowe is called out of retirement to traipse across Mexico for an insurance company that thinks one of its clients has just duped them out of a couple of million dollars.

    Marlowe takes the job because he’s bored and wants one more run at his old job. Only his knees and arthritis are bothering him and he’s old enough that the appeal of femmes fatales is more instinctual than physical. Osborne’s Marlowe is a deep philosopher with insights about human nature, decadal changes in Mexico, loneliness, landscape, and growing old. He is also funny and difficult and Osborne’s joy at turning out this novel is infectious. The audiobook is excellent.

  • Grandma Gatewood’s Walk *** (of 4)

    In 1955, when the Appalachian Trail (AT) was still in its infancy, Emma Gatewood walked its full length, 2050 miles from Mount Oglethorpe, Georgia to Mount Kathadin, Maine. She was 67 years old, a great grandmother, and did it solo. Her 11 adult children only found out after she was gone for several weeks and had already walked 800 miles.

    What is most striking about her walk is not her age nor intrepidity, though her courage and fortitude were boundless, but rather how simple she made it all seem. She sewed her own knapsack and filled it with less than 20 pounds of stuff. She hiked in sneakers and dungarees and slept on the ground on piles of leaves when she couldn’t find a lean-to. Almost without exception, whenever she appeared on someone’s doorstep, strangers welcomed her and fed her. Everything about her hike seemed matter-of-fact, because that was Gatewood’s attitude: put one foot in front of the other, a useful philosophy for living.

    It is hard to believe there was a time in America when hikers did not bear high-tech equipment or post selfies from every peak. It is just as hard to remember a time when a bedraggled stranger could arrive at someone’s door and expect to be offered a meal, a shower, and a bed.

  • The Poison Machine *** (of 4)

    Some authors of historical fiction (see Geraldine Brooks) are so caught up by their research that plot and characters are afterthoughts or cliches applied to hold together what really ought to be nonfiction. Robert J. Lloyd, in contrast, paints 1679 England, and in this caper, France, too, with effortless ease. Homing in on a mysterious murder of the Queen’s dwarf, the author sets Robert Hooke and his assistant Harry Hunt on the investigatory trail. They are a perfect duo, because Hooke was, in real life, one of the first scientists of modern history. He and Hunt use the scientific method and are slowly breaking the shackles of one thousand years of church indoctrination.

    Roiling in the background are deadly conflicts between Anglicans and Papists. Isaac Newton makes a guest appearance as do other scientists of the day while poor Harry, in love with Hooke’s niece, Grace, has to uncover the mystery of the murder while learning to stand on his own two feet. The plot is preposterous and believable at the same time and local color is imparted so seemlessly that the somewhat complex question of how the dwarf met his demise is not that important.

  • The End of October by Lawrence Wright *** (of 4)

    The End of October is shocking because of its initial accuracy and publication date. Coming into print just before the pandemic, Wright’s novel describes a global pandemic caused by a rapidly evolving corona virus that results in the deaths of millions worldwide. Which means that all of the indicators necessary to predict exactly how such a pandemic would play out were fully available to anyone willing to do the research and with a desire to write what should have been science fiction.

    The scenarios that Wright must have investigated, and which he included in his novel, included military conflicts that erupted as Shia muslims blamed Shiite countries for releasing an incurable disease leading to military strikes between Iran and Saudi Arabia. Simultaneously, Americans and Russians, who have maintained, or deny maintaining, biowarfare units accused one another of releasing deadly diseases and managing Putin’s ruthlessness and unpredictability weighed heavily on the American administration. As the disease spreads without any means of redressing it, aggrieved countries retaliate with conventional weapons for perceived attacks with bio-weapons.

    Reading the book with all of the hindsight of the pandemic is eerie. The wars that erupt in Wright’s book feel unbelievable, but only because they did not happen. The fact that nearly everything else Wright prognosticated did occur suggests that when millions of people die, societies and governments can collapse under the loss of leadership or the designs of Machiavellian politicians. About halfway through the book the intensifying plot overtakes the exceptionally well-done and finely presented research turning the book into something of a slog. But then again, surviving Covid was also a slog.

  • An Immense World by Ed Yong *** (of 4)

    Philosophically, a wonderfully provocative account of what other organisms can sense that we humans cannot. Ed Yong introduces us to umwelt the idea that our perception of the world is confined to what our senses can perceive. We cannot really conceive of what it might feel like to interpret our surroundings using the earth’s magnetic field, as birds can. What would it be like to sense chemicals through our feet (is sensing chemicals a sense of smell, taste, or something else, if it comes through your feet), as mosquitoes can?

    Other organisms can hear vibrations that only our most sensitive instruments can perceive – elephants – or use radar: bats, some sea creatures. Bees can see wavelengths that we will never see and the world’s flowers and plants look different to them.

    Yong goes through the five sense we humans possess – sight being our strongest – and then senses, like radar, that we do not. He compares human umwelts to umwelts that simultaneously constrain and expand the world of organisms whose capacities make ours seem insignificant. He does a marvelous job of explaining the science of how we can tell that an animal can do things that we cannot even imagine.

    Unfortunately, as he ticks through each sense, he seemingly recounts every organism about which a scientific experiment has been completed, until from shear exhaustion, you consider using your sense to skim ahead like a gnat detecting insect repellent.

  • Taste: My Life Through Food *** (of 4)

    Beginning with his childhood in the 1960s suburbs of New York City and continuing through the pandemic, Tucci traces his own growth as an eater, cook, actor, and professional name-dropper. His mother, obviously an exceptional Italian cook, introduced him to the joy of eating and the power of a home cooked meal to bring people together. His book covers the same decades that Americans discovered food-ism, initiated by black & white transmissions of Julia Childs, an early influencer on the young Stanley.

    Tucci’s recounting of family conversations before, during, and after meals feels universal, and are hysterical. Take your time to savor the interaction of Tucci’s adult sister and their mother, now a grandmother, as each, tries their hardest to offer food as a proxy for love to the other. Mother and daughter are confronted by the other’s obstinate refusals to accept, even so much as a small package of cheese. “Why, should I take this?” they each retort at some point during a prolonged and testy conversation. “I have plenty of food of my own, already at home.”

    Tucci’s descriptions of his favorite foods made me want to convert to Italian on the spot, and for a while, pushed me toward becoming an unapologetic carnivore. Until, that is, his description of slaughtering and roasting a suckling pig persuaded me to stick to cannellini beans as my primary source of protein.

  • Gangland by Chuck Hogan *** (of 4)

    Based on the true story of Tony Accardo, Al Capone’s protege, the undisputed mob boss of Chicago in the 1970s. Accardo’s mob runs all of Chicago’s organized crime including a significant portion of the city’s police force and courts. Until, that is, another mobster breaks into Accardo’s home, stealing just enough valuables to send a threatening message. Accardo turns to Nicky Passero to set matters right, by whatever means necessary.

    As mobsters start appearing in trunks, Passero finds himself in a moral quandary, as he himself also is being squeezed by an FBI agent trying his darnedest to work up the Outfit’s ladder to nab the mob’s capo. Passero also has misgivings about how far his trust in Accardo can go and how many murders he can perpetrate in order to stay in the Outfit’s good graces.

    At first the Italian mobsters feel stereotyped, but as their personalities blossom and the suspense builds, Chuck Hogan brings people, place, and an era into irresistibly vivid focus.