• Goodnight Irene, by Luis Alberto Urrea **** (of 4)

    July 25, 2024

    Based on accounts from the author’s mother, Luis Alberto Urrea has created a fictional account of two young women who volunteer for the Red Cross in WW II. They are assigned to trucks outfitted to make donuts and sent off to the war. The two women serve GIs a taste of home: fresh donuts, hot coffee, and some healthy flirting with young female servers. As one commander says about his soldiers fighting Nazis from the beaches of Normandy toward Germany, “My soldiers know who they are fighting against, but the Donut Dollies (“STOP calling me, Dolly!” is recurring refrain) is reminder of what they are fighting for.”

    The idea of serving fresh donuts to raise the morale of troops, in hindsight, feels as quaint as a Bob Hope variety show. Urrea has set himself a difficult task of justifying another book about World War II, this one about donuts. He succeeds marvelously by painting a rich picture of Irene Woodward, a scion of New York socialites, and Dorothy Dunford, a strapping midwestern farm girl, as they descend into the dangers of wartime duties. Irene and Dorothy ask themselves repeatedly, “Is serving donuts really helping to win the war? What are we doing here?” It all matters. Keeping up morale is as important as supplying ammunition or shipping the right number of warm socks in the right sizes to soldiers on the front lines.

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  • Fatherland by Burkhard Bilger *** (of 4)

    February 8, 2024

    Burkhard Bilger is a German-American, accomplished author and writer for the New Yorker, and the right age to have a grandfather who was a Nazi. His grandfather was old enough during the war not to be a soldier, so during the war Nazi officials placed him in charge of an occupied French town in Alsace. After the war, Grandpa was imprisoned for war crimes and then released after being acquitted in trial. Burkhard digs deep in hopes of learning how much of a Nazi his grandfather really was.

    What Fatherland does best is contextualize the actions of individuals. He explains why his grandfather joined the Nazi party. It was expedient, but not a requirement. The book describes the daily interactions taking place between the Nazi-emplaced Mayor (Grandpa) and citizens in an occupied French village. Business proceeds, but eyes and ears are everywhere. Negotiations can be verbal, tactical, or violent and Bilger’s Grandfather had to navigate between Nazi orders from above and an innate sense of humanity (atypical of many Nazis.)

    Without making excuses for any Nazi behaviors or policies, Burkhard Bilger asks whether there might be a dividing line between horrible Nazis and really-not-so-bad-Nazis. It is a well asked question.

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  • Properties of Thirst by Marianne Wiggins *** (of 4)

    September 19, 2023

    An ambitious book that centers the Owen’s Valley in California, the valley’s desertification following rerouting all of the valley’s water to Los Angeles, and the placement of the Japanese internment camp, Manzanar, in the midst of the dusty, isolated desert. A lone holdout rancher, Rocky Rhodes, refuses to cooperate with the water boys from LA. He is joined by his twin sister, Casswell, his wife (who is already dead by the time the book opens), and his two children: Sunny and Stryker. (Get it: Rocky Roads, Sunny Roads?). The Rhodes’s come from old waspy money back east.

    Schiff, a nebish of a Jew, with a big conscience, from Chicago is charged with building a camp — really a ghetto — for 10,000 American citizens forced to abandon their jobs and homes with nothing more than what they are wearing and could carry in their hands. Sunny and Schiff have eyes for one another, Sunny is an indomitable chef in the middle of nowhere, Nature (with a capital N) in the desert and in the nearby Sierras is a character in its own right, and Japanese prisoners of war stagger through the indignities of living behind barbed wire.

    Wiggins is a master story teller and a wizard with words, but may have taken on too many themes to do sufficient justice to all of them in one book.

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  • People Love Dead Jews by Dara Horn **** (of 4)

    February 2, 2023

    In a series of essays, no not essays, but rather really well-done rants, Dara Horn made me pause and reconsider a lot of what I have accepted about Jews that have died. She opens with Anne Frank, probably the most famous dead Jew, and Frank’s long lasting message. Something to the effect of, “In spite of everything, I still believe people are really good at heart.” Seriously?

    Is Anne Frank revered because she offers absolution to non-Jews who participated in or stood-by as the the steamroller of the Holocaust desecrated millions? Would Anne Frank have become an icon if she instead of dying, she had survived the war, published her diary, but gone on to be an aging, embittered housewife living on Long Island. People love dead Jews.

    Or consider the book’s longest chapter about a righteous gentile doing his best to save Europe’s most famous artists from Nazi decimation. He was supported by others hoping to save the best of western civilization. At first, laudable, but Dara Horn asks, what about the less famous, the less artistic, the apparently less intellectual, and more religiously Jewish. Were their lives worth less?

    Horn’s willingness to dig deeply into Shakespeare’s depiction of Shylock in Shakespeare’s Merchant of Venice is a masterpiece of literary and historical analysis. Defenders of one of Shakespeare’s most oft-produced plays is that his portrayal of Shylock is not anti-Semitic because of a single speech.

    But as Horn unpacks the rest of the play and its historical antecedents she makes a compelling case that Shakespeare was trumpeting the anti-Semitism of his day. During the middle centuries surrounding its writing Jews had been expelled from England, derided in virulent anti-Semitic sentiment across England and Europe, confined to Venetian ghettoes and the enforced business of usury. Shakespeare knew all that. Today’s critics are whitewashing a play whose very caricature of a blood thirsty money-lender (“I demand my pound of flesh,” cries Shylock) is a continuation of centuries old tropes about the conjured belief that Jews killed Christian babies to extract blood for Jewish bread. Excusing Shakespeare, says Horn, is to overlook the basis upon which Jews have been slaughtered for centuries.

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  • Ultra by Rachel Maddow **** (of 4)

    December 7, 2022

    Not a book or, at least, not yet a book, but a podcast.

    The genius of the production is that it is ostensibly a recounting of the hidden history of American duplicity and sedition during WW II, during which members of Congress in collusion with right-wing nationalists tried to abrogate American democracy, overthrow the Constitution, and install a fascist President.

    Armed insurrectionists, whipped up by pro-Nazi, virulently anti-Semitic, extremely popular media hucksters attacked Congress, American industries, and Jews.

    An American munitions plant blown up by Americans who supported the Nazis in WW II.

    Congressmen used their political privilege to distribute Nazi propaganda (while being paid by the Nazis to do so) to tens of thousands of their constituents.

    Do those look like ordinary Congressional waves to the crowd to you?

    Every episode of this podcast is a masterpiece of storytelling and revelation of a chapter in America’s past most of us were unaware of. The value of the U.S. Justice Department’s ability to withstand overwhelming political pressure becomes paramount (powerful Senators forced the Justice Department to end its investigations of the events outlined in Ultra). The actions of journalists and ordinary citizens committed to protecting democracy cannot be overstated.

    The consequences of right-wing politicians willing to condone insurrectionists, remain silent, or lie following acts of violence against Jews, Blacks, and law enforcement officials instigated by their rhetoric is horrifying. The direct line from what was then called America First to today’s MAGA is self-evident.

    I challenge you to listen to the first episode, and resist listening to the next one.

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  • The Eagle’s Claw: A Novel of the Battle of Midway by Jeffrey Shaara *** (of 4)

    April 27, 2022

    Ostensibly, the single battle that shaped the outcome of WW II (of which, there are no doubt many such single battles bearing that accolade), is the Battle for Midway Island in the Pacific. In the summer of 1942, America’s Navy was still reeling from its ravaging in its home port of Pearl Harbor. The Japanese Navy ruled the Pacific.

    This fictionalized, but very-well researched, account describes most effectively the strategic plans needed to fight a battle. Generals, and in this case, Admirals, too, must plan to the last spool of barbed wire and final gallon of jet fuel the necessities to carry out an invasion or counterattack. Then they need commanders to follow orders, without wavering, even in the heat of battle. Except they also need commanders smart and brave enough to improvise when the enemy or conditions fail to match plans created in the comfort of an office space.

    The Midway Islands atoll.

    Aside from its airfields and appearance above the surface of the Pacific Ocean between Hawaii and Japan, Midway is not really worth fighting for, but it was here that the Japanese and American fleets and their shipborne aircraft had at it. Weirdly, for all of Shaara’s experience as a writer of war stories, the drama ends mid-book. Nonetheless, his description of the cultural distinctions between Japan and America and bravery and reticence of various fighters, if true, is intriguing.

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  • Looking for the Good War by Elizabeth Samet *** (of 4)

    March 23, 2022

    An onion of a book, not just because it can bring you to tears, but because of its layers. In the outer layer, Samet re-describes World War II. Often referred to as The Good War and its fighters as The Greatest Generation, Samet invites us to take another look. As Studs Terkel pointed out in the 1980s when he interviewed Americans about their experience of the war, and Samet emphasizes, under what circumstances do the words “good” and “war” deserve to appended one to the other. Simply put, war is the projection of unlimited violence, and as we too easily forget, Americans and our soldiers were as vicious as the Axis powers; maybe more so, as we were on the winning side.

    One layer deeper into the onion, Samet delivers a master class in the value of the humanities in reflecting the human experience. She analyzes our perspectives on warmaking and wartime suffering using sources as old as the Iliad and Odyssey and Shakespeare’s plays and then brings it up to date to show us the hidden depravities and despondencies of the Greatest Generation. She reviews scores of films of the 1940s and 1950s to show us despairing veterans, criminals, PTSD, lost youth, and oppressed women and communities of color.

    Her onion reveals how World War II has been recalled rhetorically by every subsequent President as validation for a newfound projection of unspeakable violence and how the Civil War — no American war has been deadlier — as a noble cause in both North and South.

    The onion’s core is its sweetest. Elizabeth Samet is a Professor of Humanities at West Point, teaching America’s future military leaders the true cost of violence. That is a mark of profound hope. If only her classes were required of our political leaders.

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  • The Girl from Venice by Martin Cruz Smith *** (of 4)

    December 27, 2016

    veniceIn the closing days of WWII, as the Allies are conquering northward up the Italian peninsula, the Germans are beginning to retreat, and their Italian allies are bumbling.  Venice, though under German occupation still, is spared American bombing runs.  In the lagoons beyond the city, Cenzo, an insightful, witty fisherman, finds an 18-year-old Jewish girl, Giula Silber, floating face down, but still alive.  Giula and Cenzo must outwit Nazis hunting for her, black marketeers willing to trade in everything from human cargo to peace initiatives, Italian Fascists, anti-Fascist partisans, Cenzo’s dubious older brother, and his indomitable mother. The writing is spare, occasionally too lean, so that some characters and a few of their actions are veiled in a Venetian mist, and yet, in sum, the disorder imposed of a World War on the daily lives of bartenders, fishermen, backwater diplomats, and indulgent Italian mothers emerges with the piquancy of fresh polenta.

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  • Paper Love by Sarah Wildman **** (of 4)

    May 13, 2015

    PaperLoveSarah Waldman’s grandfather escaped the Nazi Aunchshloss in Austria by the skin of his teeth.  He settled in America, opened a successful medical practice, and lived a life of joy and optimism.  In his closet, discovered only after his death, are the letters of his true love, Valy, left behind in Vienna and Berlin.  As the jaws of the Nazi vice slowly draw closer together around Valy’s diminishing life her letters to America become increasingly desperate, personal, and ultimately heartbreaking.  By searching for Valy’s story, the history of one woman whose trail leads into the maw of the Shoah, Waldman answers one of the most difficult questions asked of Jews.  Why did Jews let the Nazis do this to them?  Here we see how it happened to Valy who stayed behind to be with her mother when even in 1938 things seemed like they could not get so bad that abandoning a country, a livelihood and the only family you still had was the only means of saving any member of your family.  Because we read this book knowing the outcome and that those Jews still in Europe could never know what was yet to come we are even more chilled as Nazi restrictions build one upon another.  And then the really unanswerable question comes to the fore.  How could Nazis week after week conceive of new methods of torture: forbidding Jews to shop, ride a bus, congregate, appear in public, live in their own homes, work, live?

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  • The Property by Rutu Modan **** (of 4)

    March 22, 2015

    PROPERTYModan is part of the first generation of Israeli graphic novelists.  In The Property, an elderly Israeli grandmother returns to Poland with her granddaughter to search for a building confiscated from her family at the start of World War II.  The grandmother is making her first trip back to Poland reluctantly.  The granddaughter, age early twenties, accompanies grandma to provide moral support, out of curiosity, and to learn history.  Once in Poland the granddaughter meets a handsome Polish tour guide to bygone Jewish Warsaw.  While the farce of modern day Polish infatuation with all things Jewish after three million Polish Jews were slaughtered in the Shoa is piercingly and humorously rendered in Modan’s drawings, a potential romance blossoms between the young Israeli and Pole.  While granddaughter is traveling Warsaw on the back of a tour guide’s motorcycle, the grandmother meets the man who took over her family’s apartment and numerous secrets are revealed as the two old people speak, none of which can be described without spoiling the book.

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