• Razorblade Tears by S.A. Crosby **** (of 4)

    Ike and Buddy Lee couldn’t be more different or more the same. Ike is Black and barely the survivor of deeply embedded southern racism. Buddy Lee, self identifies as a beer-drinking, redneck piece of trailer-trash. Their only sons are married to one another and murdered in cold blood just before the book opens. Now the two ex-cons have to face one another, their long-held homophobia, and a police force unable or indifferent about finding their sons’ killers.

    Ike and Buddy Lee take it upon themselves to search for the unrepentant killers and as we tag along the two old man, tired, but still tough and wily, get to know one another. They also get to know themselves. Violence bubbles up around the pair like a slashed artery but is diluted with insightful compassion for two men coming to terms with their failures as fathers. Together, they prove that you are never too old to try again, to make amends, to apologize to those who have been wronged, and to accede to the power of love. Even as bodies drop like flies caught behind glass, Ike and Buddy Lee discover who killed their sons, but more importantly grasp that judging a human takes more than a glance at skin color, class, sexual orientation, or gender. Goodness, like evil, can be found in surprising places.

  • Wildland: The Making of America’s Fury by Evan Osnos **** (of 4)

    Journalism is a first attempt to record history, and Osnos makes an outstanding first pass over the period in America between September 11, 2001 and January 6, 2021. On the first date, the country was (mostly) united in its horror by an attack by a foreign intruder. Twenty years later and the U.S. is riven. Wisely, Osnos uses only three locations in America to track the transformation: a small, de-industrializing town in West Virginia, the Black south side of Chicago, and Greenwich, CT, the wealthiest community in the country.

    Osnos lays blame for the disintegration of the country on income inequality and the undue influence that super-wealthy and corporations have on the electoral process. In short, the poor have gotten poorer and the rich, richer. In West Virginia, poor, aging white Americans whose jobs in the coal mines have disappeared along with their health benefits have absorbed right wing xenophobia and cast themselves as losers in a race war. Wealthy money managers in Greenwich tolerate Trumpism because their ability to continue to live the life of ease gets only easier. And, they never interact with poor Americans. Similarly, many of the Black residents of Chicago that Osnos speaks with have never been to white Chicago. They have not seen the museums, the zoo, parks or the waterfront. They do not get there as tourists, as members of the electoral process, and definitely not as workers.

    Trump figures prominently in the final years — and it is sadly amazing how much deeply racist and hurtful policies and statements he perpetrated that I had blocked from memory — but Osnos paints Trump as a skillful opportunist in the right place at the right time. In time, historians will have a clearer picture, but Osnos has captured an era with superb readability.

  • Harlem Shuffle **** (of 4) Colson Whitehead

    It is the early 1960s and Ray Carney sells contemporary furniture from a showroom on 125th Street in Harlem, New York City’s Black enclave. Harlem vibrates with the energy of strivers, both straight and crooked. Men (women are conspicuously second class characters in this book) aim to get ahead anyway they can and Carney has, in addition, to his sale of couches and dinettes, a side hustle of fenced electronics, appliances, and jewels. Carney’s cousin, Freddy, is endowed with more charm than common sense; he routinely draws Carney into a series of crimes that Carney ultimately wishes he had no part of.

    Harlem Shuffle appears to be part compelling crime novel, part family saga, and an exceedingly lively encapsulation of the language and vibe of inner city life in the early 1960s. (Listen to the audiobook, if you have the opportunity.) But most of all, the genius of the book is the feeling of racial imprisonment affected by the invisible urban borders of Harlem. Yes, the boundaries are semi-porous: Carney can ride the subway downtown to move stolen items through white middlemen – also with straight-looking storefronts – but his skin color makes him too conspicuous to linger. White cops own the streets of Manhattan from the Battery to the Bronx and cruise the blocks of Harlem beating, occasionally killing young Black men, and all around ensuring that no matter the aspirations of Harlems’ dreamers, educated or not, their station in life is preordained.

    The setting is 1959-1964. Not nearly enough has changed.

  • Simon the Fiddler by Paulette Jiles **** (of 4)

    A yarn as wide as the Texas landscape. It is 1864 and Simon the Fiddler makes a living the best he can by playing jigs, reels, waltzes and hornpipes. It’s not quite as disreputable a profession as being an actor, but a lot of venues include the kinds of saloons and dance halls that the upper classes tend not to frequent. Until the Union Army conscripts him, that is, and he has to play fiddle and soldier for a year. At the war’s so-called conclusion – it doesn’t so much end as degenerate into a kind of barely controlled chaos as Union forces occupy the state of Texas and barely maintain order – Simon teams up with three additional veterans and together they escape their army duties to play music, barely make ends meet, and have adventures along the Gulf Coast and the Mexican border.

    Paulette Jiles evokes of the landscape and era of post Civil War Texas with such acuity you can hear individual birds sing, grasshoppers hum, and feel the heat of an unrelenting sun. The landlords, deadbeats, wild Texans, privileged Union officers, and one very comely nanny fresh from Ireland whose bright eyes and thick hair capture Simon’s attention are as highly credible as the rest of the liberated countryside.

  • Darktown by Thomas Mullen **** (of 4)

    Following the end of WWII, the Atlanta Police Force reluctantly added eight African American police officers.  Their beats were restricted to Darktown, the part of Atlanta without streetlights, and it almost goes without saying, without white people.  Two recently hired war veterans, Lucius Boggs and Tommy Smith, stumble across an inebriated white man with a young black woman in his car.  After they see her get punched and then escape from her driver they later find her body buried among trash in a vacant lot.  Superficially, the novel is a 1940s murder mystery in the south, but the real story is the unflinching detail with which we observe Boggs and Smith endure Jim Crow.  They are forbidden from arresting criminals, only white officers can, so they must subdue adversaries, run to a telephone, and call for a squad car whose white officers may or may not arrive.  They may not question, nor even look into the eyes, of white officers, or for that matter, white men.  They may not be seen alone with, nor speak to white women without fear of subsequent lynching.  Boggs and Smith choose to uphold the law where they can while circumventing a white police force that alternately extorts, threatens, shoots, and convicts Atlanta’s blacks and despises its colored comrades.  As with most elements of Jim Crow I don’t know whether I am more offended by the inhumane behavior of America’s white racists or the fact I was never taught anything about Jim Crow at any point in my education.  The heat in this extremely well written mystery is as intense as a breezeless summer day in Atlanta.  The audio version of this book is excellent.

  • March: Book Three by Andrew Aydin, John Lewis, and John Noel Claude Lewis **** (of 4)

    This is the final installment of the biography of Congressman John Lewis’s youthful campaign for civil rights for America’s black population.  Books One and Two cover the fight for desegregation in the later 1950s and early 1960s.  Book Three details what it took to force President Johnson to introduce legislation allowing the federal government of the United States to override southern states that forbid blacks from voting.  For years John Lewis led the Southern Nonviolent Coordinating Committee through peaceful demonstrations to enable Americans with dark skin to register to vote like other Americans.  Repeatedly, men and women approaching courthouses hoping to register were met with police beatings, enabled posses of armed white men, obstinate white judges, and murderous Klansmen.  The story is a bloody one and sprinkled throughout are references to an event that was unimaginable in 1964:  John Lewis, the Congressman, attending the inauguration of Barack Obama.  And yet, today, gerrymandering of voting districts mean that Republicans (with negligible support or accountability to black voters) control the Presidency (who did not win the popular vote), both houses of Congress, the Supreme Court, and a majority of governorships and statehouses.  Everyone should read this book.  And consider kneeling during the National Anthem.

  • In the Kingdom of Ice by Hamptom Sides **** (of 4)

    At the end of the nineteenth century, because no one had ever been there, the virtual consensus among geographers was that the North Pole resided in a warm, open sea.  One needed only to sail a ship through the ice surrounding it to reach the open ocean.  In 1879, Captain George DeLong and a crew of 30-plus sailors set off for the North Pole.  At end of the their first year, their ship, having failed to find open water, was instead frozen in place, where they remained out of communication with the rest of the world for three years. Half of their time was in near total darkness and nearly all of their days and nights were below freezing.  Finally, sheets of ice crushed and sank the U.S.S. Jeannette.  The crew walked and sailed for hundreds of days across ice floes and freezing oceans with hopes of reaching the coldest landmass on earth, the north coast of Siberia.  The  test of human physical and psychological endurance is simultaneously contemporary and otherworldly.  The relationship of European and American men to the environment, native people of the Arctic, to women, and stoicism is history not to be overlooked.

  • The Underground Railroad by Colson Whitehead **** (of 4)

    Before Colson Whitehead ever gets to the story of Cora’s attempted escape from enslavement, he sets the stage in Africa.  Cora’s grandmother and mother are captured beginning a saga of human beings herded, branded, chained, transported, discarded when insufficiently healthy, and sold like so many pieces of meat.  Some are consumed, others are tossed overboard or left to rot.  Whitehead’s descriptions of the relationship between white slave owners and the human beings they own is a delicately painted portrait of white men using all their faculties to subdue the humanity of their black workers with rape, torture, and psychological brutality.  For this portion of the book alone, the real-life portrayal of slavery in the south, The Underground Railroad should be required reading of all Americans.  Whitehead’s description of plantation work for slaves also makes the idea of escape almost logical.  The alternatives are equally daunting: staying on the plantation means ceaseless labor, sexual assaults, tongue extractions for speaking up, castrations for being black and male and therefore a threat to white men’s sense of superiority, and beatings so severe that infections beneath missing skin are inevitable.  Leaving for the underground railroad, in contrast, means fearing owners so desperate to regain their lost property that dogs trained to shred human tissue and professional slave catchers brandishing chains and iron collars will be sent even into free states to recapture lost goods.  Cora’s lifelong sprint for freedom is harrowing, accurate, and the story of an underdog for whom you can’t help but root.  Her plight is also an important reminder that in the age of Charlottesville the legacy of slavery has not yet been overcome.

  • News of the World by Paulette Jiles **** (of 4)

    The year is 1870.  Captain Jefferson Kyle Kidd, veteran of three wars, now age 72, is more or less handed a ten-year-old girl to return to her German family in south Texas.  The girl was kidnapped by Kiowa Indians at the age of six and has been recaptured by bounty hunters.  Her parents are dead and Captain Kidd is now responsible for returning the girl, who no longer speaks English nor German, to her nearest relatives.  Everything about their adventure as the old man and his young companion ride a horse drawn wagon across unsettled Texas landscapes feels authentic.  Whereas a less skilled novelist might vacillate between plot, character, and showing off research, Paulette Jiles simply puts us in the driver’s seat.  The Texas hills and deserts roll by in perfect clarity.  Storms rage over head, the sun beats down, and sometimes it just drizzles for days.  Strangers — some friendly, a few weird, and a couple who are downright dangerous — ride up alongside and we face them with whatever skills we have at our disposal.  Moreover, the groups who cohabit south Texas are raised beyond typecasting.  Kiowa, Spanish, soldiers, women, homesteaders, and settlers are presented as you might expect real people to be.  They are complicated.  You like some and dislike others.  It is a deeply informative and thoughtful ride.

  • Hillbilly Elegy by J.D. Vance **** (of 4)

    The simple description is on the cover.  J.D. Vance, a self-denominated hillbilly from Kentucky, describes what it took to grow up in a family devoid of education and reliable jobs, hounded by alcoholism and drug addiction, subjected to intransigent poverty, educated in mediocre schools, raised by a seemingly endless array of violent adults, and adjacent to families of nearly identical misery (each in their own way, of course.)  Vance escaped.  He joined the marines, went to college, earned a law degree at Yale, and became an excellent writer, who by the age of 32, could pen a memoir that gives insight into a culture as foreign to educated eastern liberals as any alien culture could be.  Vance has been hailed by conservatives for his bootstrapping success and for his insistence upon calling out hillbilly culture for its own moral failures.  He has been decried by left-wingers for failing to point to structural inequities in American society that make it so difficult for the poverty-stricken, black or white, to break free of their plight.  The reason Vance won me over comes at the end of the book. When he asks himself what policies or programs need to be enacted to overcome the downward spiral of America’s white underclass, he responds with uncertainty.  There is no simple solution, he argues.