• These Truths by Jill Lepore **** (of 4)

    March 21, 2023

    It is no small feat to write a history of the United States. Choose any event, say, for example the Presidency of George Washington, The Civil War, the long, and ongoing struggle for Civil Rights in America and you will discover that on just a single subject there are hundreds, if not thousands, of books on the subject. What Jill Lepore does so expertly in this book is summarize key events, lots and lots of them, and place them in a political continuum that is America’s history.

    Lepore says at the outset that her focus is politics and beginning in 1492 when Christian Europeans planted flags on the American continent in the name of Christian conquest for Europe. At nearly the same time America became a far away home for Europeans, and then others, some of them enslaved, seeking freedom from religious and state orthodoxies. America started as a country of contradictions. A country of immigrants, wherein a very significant portion of the population today is anti-immigrant.

    From the first days when Thomas Jefferson wrote, “We hold these truths to be self-evident that all men are created equal…” Lepore makes clear that internal inconsistencies and conflicts were going to be papered over with daub and wattle. At the time of the writing of the Constitution, a first of its kind, the notion that citizens were not inferior to noblemen was truly revolutionary. Yet, “all men” failed to include enslaved men, or women.

    The title of the book is so multilayered as to become an unbreakable wire threading the entire book together. Especially interesting are the final fifty years of American politics (perhaps because I have lived them and can observe how Lepore selects and summarizes the events she highlights) when the notion of truth has become so personal that the question of whether we can hold together as a nation that believes in something unifying feels like it might be hanging in the balance. The expansion of the Internet and with it Facebook, Twitter, Reddit, 4chan, and Truth Social (Trump’s personal twitter), has allowed both the insertion of genuine Fake News (see the work of Russian troll farms during the 2016 election) and the selection of personal, unedited news selected by each and every consumer to suit her or his preconceived beliefs. The book was published before the January 6 uprising and attack on Congress, which is the predictable outcome.

    These Truths is not an optimistic book, and the work of right wingers to promote hundreds of years of inequality, racism, sexism, anti-foreigner sentiment, misinformation, and objection to facts is wholly dispiriting (I suspect the right dismisses Lepore’s book precisely because it raises uncomfortable truths). The new Left’s closed-door approach to speakers and writers whose views they find dangerous to insecure minorities or their definition of an illegitimate history is scarcely more encouraging. Still, there is nothing like observing a master putting history into a clear and readily accessible context.

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  • Shrines of Gaiety by Kate Atkinson *** (of 4)

    March 12, 2023

    Atkinson did her homework before reproducing the details of England in the raucous 1920s. Britons released from the devastation of WW I and the influenza epidemic of 1918 are eager to displace horrors of the past with jazz, drink, and dancing. Nellie Coker obliges Londoners with a series of marginally legal nightclubs, each decorated and catering to a different crowd. Corrupt police forces protect her investments while rival money-grubbers take aim at her properties and her riches. Nellie’s adult children and a lone, incorruptible police officer swarm about her like moths at a gas-lit lamppost. Taken together, Atkinson draws light into the shadowy recesses of an era, but there is not much suspense across its 416 pages. It’s like we are watching dancers jitterbug in a black and white clip with the sound off. At first all that motion is riveting, but the titillation isn’t sustaining.

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  • People Love Dead Jews by Dara Horn **** (of 4)

    February 2, 2023

    In a series of essays, no not essays, but rather really well-done rants, Dara Horn made me pause and reconsider a lot of what I have accepted about Jews that have died. She opens with Anne Frank, probably the most famous dead Jew, and Frank’s long lasting message. Something to the effect of, “In spite of everything, I still believe people are really good at heart.” Seriously?

    Is Anne Frank revered because she offers absolution to non-Jews who participated in or stood-by as the the steamroller of the Holocaust desecrated millions? Would Anne Frank have become an icon if she instead of dying, she had survived the war, published her diary, but gone on to be an aging, embittered housewife living on Long Island. People love dead Jews.

    Or consider the book’s longest chapter about a righteous gentile doing his best to save Europe’s most famous artists from Nazi decimation. He was supported by others hoping to save the best of western civilization. At first, laudable, but Dara Horn asks, what about the less famous, the less artistic, the apparently less intellectual, and more religiously Jewish. Were their lives worth less?

    Horn’s willingness to dig deeply into Shakespeare’s depiction of Shylock in Shakespeare’s Merchant of Venice is a masterpiece of literary and historical analysis. Defenders of one of Shakespeare’s most oft-produced plays is that his portrayal of Shylock is not anti-Semitic because of a single speech.

    But as Horn unpacks the rest of the play and its historical antecedents she makes a compelling case that Shakespeare was trumpeting the anti-Semitism of his day. During the middle centuries surrounding its writing Jews had been expelled from England, derided in virulent anti-Semitic sentiment across England and Europe, confined to Venetian ghettoes and the enforced business of usury. Shakespeare knew all that. Today’s critics are whitewashing a play whose very caricature of a blood thirsty money-lender (“I demand my pound of flesh,” cries Shylock) is a continuation of centuries old tropes about the conjured belief that Jews killed Christian babies to extract blood for Jewish bread. Excusing Shakespeare, says Horn, is to overlook the basis upon which Jews have been slaughtered for centuries.

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  • What it is Like to go to War ***(of 4)

    February 2, 2023

    There are not a lot of books about the philosophy of war, but there should be, especially as we are a country that in the last couple of decades has sent our troops to Iraq (twice), Afghanistan (for the longest war in U.S. history), Yemen, Pakistan, Somalia, Libya, Uganda, Syria, and Niger. The goal of war, this book makes perfectly clear, is to kill people. Karl Marlantes asks a simple question. What happens when we send our youth — young people whose full sense of judgement and character has not yet reached maturity — to contravene the fundamental tenets of society.

    Raised with the legal, moral, and religious tradition that Thou Shalt Not Kill, we nonetheless ask 18-year olds to kill other human beings. Often the requirement comes in a situation where opposing youth are being asked to do the same to them. Increasingly, however, the use of so-called smart weapons means a gunner or drone pilot could be 100s or 1000s of miles away. Still, their job is to kill, and to know that no weapon is smart enough to always distinguish between an enemy combatant and innocent bystander.

    Karl Marlantes descriptions of battles he engaged in while in Vietnam are surreally alive and frighteningly tangible. Interspersed with battle scenes are Marlantes’ discussions of what it feels like to kill another person, to be involved in a life and death situation, and to try to reintegrate into society afterward. Marlantes calls upon literature from the Illiad and Baghavad Gita forward. He investigates psychology and spirituality. He talks about PTSD and pain and love and recovery.

    Unfortunately, he, like many military professionals is still processing the last war, rather than thinking fully about the next one. Hand to hand combat and trench warfare, though they are at play again in Ukraine, have been displaced by drone and satellite driven technology. Killers take lunch breaks and go home to their spouses at 5 PM. Their spouses, unlike in Vietnam, are often husbands. Today’s volunteer Army is comprised of individuals whose motivations and backgrounds may well be different than those drafted in the 1960s. His book needs to be updated to match the trials of more modern warfare, but his principles remain very much in need of discussion.

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  • Mercury Pictures Presents *** (of 4) by Anthony Marra

    January 17, 2023

    Anthony Marra starts off well enough. His lead characters Art Feldman, a 1940s B-lot movie producer and his plucky assistant, an Italian immigrant named Maria Lagana, together make crummy movies on a tight budget. The movies are worth paying attention to because Art and Maria both have relatives trapped by Nazis and Fascists in Europe so they see it as their duty to call truth to power. They battle wartime censorship and American fascists (America First members) looking to shut down a Jewish filmmaker by making schlocky films about the hypocrisy of American propaganda.

    At its strongest, Marra captures the patois of an indomitable, snarky Jewish director with six toupees, each toupee bearing its own name, and the Italian banter of Maria’s three aunts who communicate only in insults. Listening to the dialogue is as joyful as watching an old black and white movie.

    Then Marra introduces Art Feldman’s twin brother, Maria’s father entrapped in Italy, the village of San Lorenzo in Italy and all its villagers, a Chinese American actor, German refugees seeking work in the film industry, an Italian policeman and his ambitious sidekick, a Senatorial hearing on acceptable film making, a German American architect working as a miniaturist in a film studio who is later called up by the U.S. Army to build a painstakingly accurate, life size depiction of Berlin in the middle of the Utah desert to be used as target practice, and rebuilt each time it is burned, a Black prisoner wrongfully convicted and sentenced to fifty years in jail, an on again, off again relationship between Maria and her mother, an archaeological dig, and rapacious stockholders anxious to promote profit over art upon Hollywood.

    Mercury Pictures Presents is one of those books reviewers refer to as a sprawling novel, and most reviewers loved Mercury Pictures Presents. Alas, sprawl overtakes Anthony Marra as he tries too hard to cover too much. His story of a B-level movie studio comes off as a B-level book.

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  • We Didn’t Know Ourselves by Fintan O’Toole **** (of 4)

    January 4, 2023

    The book’s subtitle is accurate: A Personal History of Modern Ireland. This history of Ireland begins in 1958, more or less, when O’Toole was born. In the 1950s, Ireland was an Old World agrarian country: nearly three-fourths of the population worked farms. Families were enormous, schooling was negligible, the government corrupt, and the Catholic church set values, standards, mores, and rules. Economic gain was achieved, as it had been for centuries, by emigration.

    This is the story of how in just fifty years Ireland not only joined the world of modern, high-tech, gig-economy nations, but also passed some of the most anti-Catholic, pro-Abortion, pro-LGBTQ+ laws in the world. It is hard to think of another country in the world that has undergone such a transformation in so short a period while maintaining relative stability. Or done so without a revolution.

    O’Toole’s thesis is that there were, and always have been, two Irelands. On the one hand the structure of church monitored, inviolate rules on marriage, divorce, sex, sexuality, and devotion. Yet, on the other, the church itself violated nearly every one of its own rules by disappearing children born out of wedlock or into inescapable poverty into severely abusive private institutions. They beat children in regular schools. They incarcerated mothers with unwanted pregnancies. They sexually assaulted children for decades.

    Concurrently, Irish people swore allegiance to the Church, while living authentic lives reflecting the full gamut of human desires: they were sexually active, they loved people of the same sex, they sent their daughters to England for abortions, and they invented work arounds for birth control.

    The country changed in the 80s, 90s, and early 2000s as government corruption and clerical abuses became too large to ignore. In essence the private lives of Irish people became public at the same time that the private abuses of church and state were finally acknowledged.

    The lessons for me is the ability to be hypocritical or to hide the truth from our eyes while it stands in plain sight is not a uniquely Irish trait. We Americans also maintain principles based upon mythology: we are supposed to be a country of equal opportunity where hard work and strong family values are all one needs to get ahead. And yet the lived experience of many Americans is riven by uncrossable class divides and deeply entrenched racism, all plainly visible if we choose to look.

    The good news is that if Ireland can make a leap into the first world of commerce and culture in just two generations — and hang onto much of its core culture — is it possible that other countries in Africa or Asia might do the same?

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  • Ultra by Rachel Maddow **** (of 4)

    December 7, 2022

    Not a book or, at least, not yet a book, but a podcast.

    The genius of the production is that it is ostensibly a recounting of the hidden history of American duplicity and sedition during WW II, during which members of Congress in collusion with right-wing nationalists tried to abrogate American democracy, overthrow the Constitution, and install a fascist President.

    Armed insurrectionists, whipped up by pro-Nazi, virulently anti-Semitic, extremely popular media hucksters attacked Congress, American industries, and Jews.

    An American munitions plant blown up by Americans who supported the Nazis in WW II.

    Congressmen used their political privilege to distribute Nazi propaganda (while being paid by the Nazis to do so) to tens of thousands of their constituents.

    Do those look like ordinary Congressional waves to the crowd to you?

    Every episode of this podcast is a masterpiece of storytelling and revelation of a chapter in America’s past most of us were unaware of. The value of the U.S. Justice Department’s ability to withstand overwhelming political pressure becomes paramount (powerful Senators forced the Justice Department to end its investigations of the events outlined in Ultra). The actions of journalists and ordinary citizens committed to protecting democracy cannot be overstated.

    The consequences of right-wing politicians willing to condone insurrectionists, remain silent, or lie following acts of violence against Jews, Blacks, and law enforcement officials instigated by their rhetoric is horrifying. The direct line from what was then called America First to today’s MAGA is self-evident.

    I challenge you to listen to the first episode, and resist listening to the next one.

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  • The Girls in the Stilt House by Kelly Mustian *** (of 4)

    December 7, 2022

    A somewhat predictable, but well-told story about a motherless, white daughter with an abusive father living in a 1920s Mississippi swamp. Once Dad disappears from the picture she is joined by an also motherless Black girl with a history she does not want to reveal. The two teenagers take on the swamp, their neighbors, a newborn, and deadly Jim Crow racism. They find their footing and gain their independence, or, at least the white girl does. To be Black and live in the south under Jim Crow apartheid laws is a balancing act between hopelessness and subversive defiance.

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  • The Night Watchman by Louise Erdrich **** (of 4)

    November 18, 2022

    A fictionalized account of Louise Erdrich’s grandfather, who worked as a night watchman in a factory on the Chippewa nation in North Dakota. He battled the U.S. Senate as the American government made one more effort to remove Indians from their native lands: In the 1950s, a Mormon senator, with considerable support from his colleagues, decided it was time to “emancipate” America’s Indians. In practice, emancipation meant absolving the U.S. government of support for any Indian activities – like healthcare, housing assistance, food security. Equally valuable to the U.S. government and its supporters, emancipation included tossing “independent” Indians from their reservations. Imagine the land rush afforded non-Indians if Indians were no longer recognized, but “emancipated.”

    Erdrich’s fictionalized Indian characters are full of life, defiant in the face of daily trauma and mean-spirited hardships. What makes The Night Watchman such a fine read is that the Chippewa, in addition to having devilishly great senses of humor, tangle with love, jealousy, envy, icky-bosses, shifting friendships, relatives gone off the rails, and making dinner. In short, The Night Watchman makes us recognize the fundamental humanity of Native Americans and all people whose cultures are different from our own. Erdrich deals truth to power calling out elected officials bent on setting up walls, real and invisibly enforced by laws and economic restrictions around people whose history has been torturous, and whose difference can be distinguished by their skin color.

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  • The Last Slave Ship by Ben Raines *** (of 4)

    September 30, 2022

    On the face of it, the story of 100 enslaved Africans smuggled into Mobile, Alabama does not feel that significant among the 12.5 million Africans shipped to the New World (10.7 million survived the Middle Passage.) Aside: I am only now figuring out that more than 90% of the people kidnapped, chained below decks, and, if they survived, sold, went into the Caribbean and South America. America’s four million enslaved people were mostly bred (breeding is a term used by slavers) by their owners here.

    The Clotilda was the last ship carrying human cargo to arrive in the United States, running past naval patrol ships into Mobile Bay in 1860. After the south lost the Civil War, many of those transported by the Clotilda settled in Africa Town just outside Mobile. They lived long enough to be interviewed and photographed. They provided firsthand accounts of their lost African families, details of their capture by Dahomian warriors, the life-threatening Middle Passage, and sale to other humans to do animal-like labor. They also recall African customs that persisted inside Africa Town.

    The author, Ben Raines, describes the Clotilda from the days of its inception as a ship bound for Africa in contravention of American law, its scuttling after disgorging its human cargo into the swamps of Alabama, until its rediscovery 2019. The ship’s story brackets the story of its enslaved Africans and their offspring.

    A century of racism haunts Africa Town and its descendents to this day. And yet, The Last Slave Ship grows stronger until its finish, describing a sordid history that somehow still points a way toward recognition and finally, forgiveness.

    Africa Town today. The commerce is gone now, and you see boarded up homes and vacant lots in the neighborhood. Link to NPR story.

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