Steinbeckian in scope and style, The Lincoln Highway is equal parts coming-of-age story, travelogue, American history, rumination on the inalienable properties of heroism, and inevitable flaws hidden behind the armor of heroic characters.
The book opens as Emmett is released from a 1950s work-farm that doubles as juvenile detention center for wayward teens. At eighteen years old he heads home because his father has just died and his 8-year-old brother, Billie, is in need of a caretaker. Billie insists they take the Lincoln Highway from the middle of the U.S. to San Francisco to find their mother who left without explanation many years earlier.
Just before heading west in Emmett’s light-blue Studebaker, two of Emmett’s roommates from the work farm appear outside his father’s foreclosed house, having taken the liberty of stowing away in the warden’s trunk on his delivery run with Emmett. Duchess, Woolie, Emmett and Billie (map of America carefully laid across Billie’s lap) head for The Lincoln Highway whereupon misadventure followed by heroic escapes send the foursome step by step eastward toward Times Square in New York City, the highway’s point of origin, rather than it’s terminus.
Duchess, Woolie, Emmett, and Billie are as true-to-life, and as likable, as any characters confined to a page can be, and long after the book has ended, readers will be pondering right and wrong, maturity and immaturity, accident and intention, good and evil, heroism and hubris.