• The End of October by Lawrence Wright *** (of 4)

    July 18, 2023

    The End of October is shocking because of its initial accuracy and publication date. Coming into print just before the pandemic, Wright’s novel describes a global pandemic caused by a rapidly evolving corona virus that results in the deaths of millions worldwide. Which means that all of the indicators necessary to predict exactly how such a pandemic would play out were fully available to anyone willing to do the research and with a desire to write what should have been science fiction.

    The scenarios that Wright must have investigated, and which he included in his novel, included military conflicts that erupted as Shia muslims blamed Shiite countries for releasing an incurable disease leading to military strikes between Iran and Saudi Arabia. Simultaneously, Americans and Russians, who have maintained, or deny maintaining, biowarfare units accused one another of releasing deadly diseases and managing Putin’s ruthlessness and unpredictability weighed heavily on the American administration. As the disease spreads without any means of redressing it, aggrieved countries retaliate with conventional weapons for perceived attacks with bio-weapons.

    Reading the book with all of the hindsight of the pandemic is eerie. The wars that erupt in Wright’s book feel unbelievable, but only because they did not happen. The fact that nearly everything else Wright prognosticated did occur suggests that when millions of people die, societies and governments can collapse under the loss of leadership or the designs of Machiavellian politicians. About halfway through the book the intensifying plot overtakes the exceptionally well-done and finely presented research turning the book into something of a slog. But then again, surviving Covid was also a slog.

    Read More

  • An Immense World by Ed Yong *** (of 4)

    July 3, 2023

    Philosophically, a wonderfully provocative account of what other organisms can sense that we humans cannot. Ed Yong introduces us to umwelt the idea that our perception of the world is confined to what our senses can perceive. We cannot really conceive of what it might feel like to interpret our surroundings using the earth’s magnetic field, as birds can. What would it be like to sense chemicals through our feet (is sensing chemicals a sense of smell, taste, or something else, if it comes through your feet), as mosquitoes can?

    Other organisms can hear vibrations that only our most sensitive instruments can perceive – elephants – or use radar: bats, some sea creatures. Bees can see wavelengths that we will never see and the world’s flowers and plants look different to them.

    Yong goes through the five sense we humans possess – sight being our strongest – and then senses, like radar, that we do not. He compares human umwelts to umwelts that simultaneously constrain and expand the world of organisms whose capacities make ours seem insignificant. He does a marvelous job of explaining the science of how we can tell that an animal can do things that we cannot even imagine.

    Unfortunately, as he ticks through each sense, he seemingly recounts every organism about which a scientific experiment has been completed, until from shear exhaustion, you consider using your sense to skim ahead like a gnat detecting insect repellent.

    Read More

  • Taste: My Life Through Food *** (of 4)

    July 3, 2023

    Beginning with his childhood in the 1960s suburbs of New York City and continuing through the pandemic, Tucci traces his own growth as an eater, cook, actor, and professional name-dropper. His mother, obviously an exceptional Italian cook, introduced him to the joy of eating and the power of a home cooked meal to bring people together. His book covers the same decades that Americans discovered food-ism, initiated by black & white transmissions of Julia Childs, an early influencer on the young Stanley.

    Tucci’s recounting of family conversations before, during, and after meals feels universal, and are hysterical. Take your time to savor the interaction of Tucci’s adult sister and their mother, now a grandmother, as each, tries their hardest to offer food as a proxy for love to the other. Mother and daughter are confronted by the other’s obstinate refusals to accept, even so much as a small package of cheese. “Why, should I take this?” they each retort at some point during a prolonged and testy conversation. “I have plenty of food of my own, already at home.”

    Tucci’s descriptions of his favorite foods made me want to convert to Italian on the spot, and for a while, pushed me toward becoming an unapologetic carnivore. Until, that is, his description of slaughtering and roasting a suckling pig persuaded me to stick to cannellini beans as my primary source of protein.

    Read More

  • Gangland by Chuck Hogan *** (of 4)

    June 12, 2023

    Based on the true story of Tony Accardo, Al Capone’s protege, the undisputed mob boss of Chicago in the 1970s. Accardo’s mob runs all of Chicago’s organized crime including a significant portion of the city’s police force and courts. Until, that is, another mobster breaks into Accardo’s home, stealing just enough valuables to send a threatening message. Accardo turns to Nicky Passero to set matters right, by whatever means necessary.

    As mobsters start appearing in trunks, Passero finds himself in a moral quandary, as he himself also is being squeezed by an FBI agent trying his darnedest to work up the Outfit’s ladder to nab the mob’s capo. Passero also has misgivings about how far his trust in Accardo can go and how many murders he can perpetrate in order to stay in the Outfit’s good graces.

    At first the Italian mobsters feel stereotyped, but as their personalities blossom and the suspense builds, Chuck Hogan brings people, place, and an era into irresistibly vivid focus.

    Read More

  • A Fever in the Heartland by Timothy Egan **** (of 4)

    May 19, 2023

    Following more than 100,000 American casualties in WWI and the death of 450,000 Americans from viral influenza in 1918, most Americans roared into the 1920s with abandon. They drank, they danced to America’s indigenous musical invention – Black jazz, they smooched in the back seats of cars and in public. The backlash from Christian Nationalists was swift, brutal, and shockingly widespread across the heartland.

    By the early 20s, Indiana alone boasted more than 400,000 Klansmen, Klanswomen, and KlansKiddies. Colorado, Texas, Pennsylvania added hundreds of thousands more. The Klan grew in status and popularity under the spell of D.C. Stephenson: a fabulist with no allegiance to truth, an abuser of women, an orator who reflected the fears and desires of white Americans concerned for the purity of “their” nation, a money-hungry businessman anxious to make the next deal, a strong desire to become America’s dictator, a virulent anti-woke activist who said clearly and repeatedly that America was threatened by Jews, Catholics, foreigners, and especially Blacks, and a politician who dominated and controlled other politicians. Ultimately, Stephenson said aloud, and believed completely, that he was above the law.

    Timothy Egan never mentions any contemporary politicians with similar proclivities, but makes clear that Stephenson was as much a man of his time and place as he was a leader of it. In response to Reconstruction, the Klan and Jim Crow were born. In the 1920s, the Klan rose again. In the 1940s, as Ultra makes clear, American Nazis were more prevalent in society and in Congress than most of us realize. For those who care about the rights of racial, ethnic, sexual minorities, and others deemed unacceptable, Timothy Egan’s well-told history is a reminder that vigilance remains a necessity in America.

    Read More

  • The Bullet That Missed by Richard Osman **** (of 4)

    May 5, 2023

    This is the third installation of an investigation by four elderly Brits living in Cooper’s Chase retirement community. The four are all a little stiffer, a little harder of hearing, and a trifle more likely to forget where they put down their reading glasses, but they remain just as full of verve and curiosity as ever. They are grateful, too, for their camaraderie and their weekly gatherings dedicated to investigating unsolved crimes. All of which is to say that the characters are so warmly presented and so lovable that Osman’s books would be worth reading even if his mysteries were only mediocre.

    Fortunately, his mysteries are equal parts intricate and intriguing. The case under the careful scrutiny of the Thursday Murder Club is Bethany Waites’ untimely murder. Waites was a young investigative reporter closing in on the criminals running a huge money laundering scheme, when lured from her home one evening, she never returns. Her empty car is located the next day at the edge of a cliff over which her body must have been tossed, only the body never emerges from the sea, the laundered money is never located, and the Thursday Murder Club cannot let it go.

    It is as rewarding for us as readers to be reuninted with Ron, Joyce, Ibrahim, and Elizabeth as it must be for them to see one another in the Cooper’s Chase dining room.

    Read More

  • Two Wheels Good *** by Jody Rosen

    May 5, 2023

    Jody Rosen really does elucidate the mystery and history of the bicycle. A consistent theme is the bicycle’s lifelong conflict with motorists and pedestrians. Since the bike’s invention just under two centuries ago, bicycle riders have enjoyed a silent sensation of something akin to flight. Walkers have bristled when being overtaken by a silent accelerator. Automobilists, sitting in their protected metal boxes, insist that paved surfaces belong to them. When they were first invented, horse-drawn conveyances hated them.

    Rosen makes a compelling case that bicycles democratized transportation and someday soon as climate catastrophe becomes more pronounced and the combustion engine more to blame, might again rise to the pinnacle of transport. Rosen discusses bicycles and warfare, showmanship, the liberation of women from Victorian constraints, bicycle mania (at one time a real disease), and bicycles and sex. Rosen’s vignettes trivia, historical uncoverings, and anecdotes are fascinating, but overall the book lacks narrative drive. (I’m not certain this should matter but halfway through when I figured out that Jody Rosen was a man in his fifties, not a young woman, my perspective on the stories changed.)

    Sometimes Two Wheels Good feels like riding a Peleton.

    Read More

  • American Gods by Neil Gaiman *** (of 4)

    April 21, 2023

    Neil Gaiman, a British author, has written an Icelandic saga about American gods. Equal parts fantasy, history, sociology, and Americana, Gaiman’s protagonist, and our guide to the gods, is called Shadow. Shadow is only recently released from prison, and about to embark on a roadtrip of epic dimensions. Sometimes traveling by Buick and sometimes upon the back of a flying Thunderbird (an eagle-like deity) through a violent thunderstorm, Shadow finds himself betwixt the old gods of North America and the new ones. The old gods were brought to North America by natives crossing the Bering Straits in the last Ice Age, by Vikings, by Irish immigrants and others arriving on the great continent.

    The new gods are threatening to displace the old ones, who are being forgotten with increasing rapidity. The new gods came to the country on televisions, computers, and the internet, and they take as much devotion and as many offerings as their predecessors. As is true with all sagas, there are twists, hairpins, treachery, violence, and love. Gaiman, though he apologizes for his presumptuousness, is just the man to write about Americana. He can see us as we appear in our roadside attractions as only an outsider can.

    Read More